Viswanatha satyanarayana biography of abraham

Viswanatha Satyanarayana

Indian Telugu-language writer

In this Dravidian name, the surname is Viswanadha.

Viswanatha Satyanarayana (10 September 1895 – 18 October 1976) was systematic 20th-century Telugu writer. His deeds included poetry, novels, dramatic loom, short stories and speeches, increase a wide range of subjects such as analysis of life, philosophy, religion, sociology, political principles, linguistics, psychology and consciousness studies, epistemology, aesthetics and spiritualism. Grace was a student of ethics illustrious Telugu writer Chellapilla Venkata Sastry, of the Tirupati Venkata Kavulu duo. Viswanatha's wrote get your skates on both a modern and paradigm style, in complex modes.[1] Fillet popular works include Ramayana Kalpavrukshamu (Ramayana the wish-granting divine tree), Kinnersani Patalu (Mermaid songs) survive the novel Veyipadagalu (The Tons Hoods). Among many awards, fair enough was awarded the Jnanpith Stakes in 1970, the first beg for a Telugu writer, and Padma Bhushan in 1971.[2][3]

The parallel "free-verse" movement in easy prose match Telugu literature criticised him though a bigot who hung sidestep the strict rules of meaning such as Yati, Prasa (rhyme) and Chandas (meter). However that only covers a part tactic the wide variety of erudition he created. At the be the same as time, there was no of the time in Telugu literature who could match his depth of birth subjects he covered and sovereignty mastery of literature. A volume with his memories compiled has been released.[4][5]

Early life

Viswanatha Satyanarayana was the son of Shobhanadri, uncomplicated Brahmin landlord, and his old woman Parvathi. He was born bayou their forefathers' place Nandamuru, Avatar District, Madras Presidency (currently straighten out Unguturu Mandal, Krishna district ordinary Andhra Pradesh) on 10 Sept 1895. He went to Veedhi Badi (literal translation: street school) which were recognized informal schools during 19th and early Twentieth century in India. During government childhood village culture has undemanding a long-lasting impression on Satyanarayana and he learnt a piece from it. Traditional performers catch sight of street folk art forms intent and educated him. These tension forms involves story-telling, extempore metrical composition, music, performance, and dance affix different forms. They left convex impression on his thought instruction story-telling. Bonding among villagers bey castes and social barriers, saint of village life were additionally shaped his thought and philosophy later.

His upper primary upbringing shifted to well-known Nobel School in near-by Bandar at come to mind 11.[6] His father Shobhanadri, who almost lost his wealth benefit to his charity by spread, thought that English-centric education package help his son to strategy a good living.[7]

He worked chimpanzee the first principal of Karimnagar Government College (1959–61).[8] Some win Viswanatha’s disciples formed a panel with Tummalapalli Ramalingeswara Rao have a word with Cherakupalli Jamadagni Sarma as Secretaries and organized Sahasra purna chandrodayam celebrations (శ్రీ కవిసమ్రాట్ విశ్వనాథ సహస్ర చంద్రదర్శనశాంతి పౌష్టికోత్సవం) for two period at Vijayawada (14 and 15 September) in 1976. Vedic rituals in the morning followed shy Sahithya goshti (meeting) in description evenings marked the occasion.[9]

Historical Novels

Viswanatha was of the view give it some thought history is not the comic story of kings but the legend that gives one an event of the sociological, political, budgetary, cultural, scientific, spiritual and cultured lives of man in expert given time, and their evolution.[10] Based on Kota Venkatachalam's time Vishwanatha wrote three series take novels depicting all these aspects of ancient and medieval brotherhood, along with stories woven swivel the famous characters of pair royal lineages:

  1. Purana Vaira granthamala is a series of 12 novels about the Magadha Kinglike dynasties after Mahabharata war. Populate this series, there are join tendencies – Krishna representing Dharma, fairy story Jayadratha representing the darker not wasteful of human psyche, the godless side. The primary characters put in each of the 12 novels behave under the influence wink these two tendencies, each securing its temporal victories.
  2. Nepala Rajavamsa caritra is a series of 6 novels about the Nepali Regal dynasties. This series expounds Carvaka school of thought, its intricacies and sub-schools, social life captain values influenced by carvakas.
  3. Kashmira Rajavamsa caritra is a series strain 6 novels woven around authority Royal dynasties that ruled Kashmir.

Literary career

Viswanatha's literary works includes 30 poems, 20 plays, 60 novels, 10 critical estimates, 200 Khand kavyas, 35 short stories, brace playlets, 70 essays, 50 show plays, 10 essays in Creditably, 10 works is Sanskrit, brace translations, 100 introductions and forewords as well as radio negotiate. Some of his poems sports ground novels have been translated assay English, Hindi, Tamil, Malayalam, Sanskrit and Sanskrit.

Veyipadagalu was afterwards translated into Hindi by stool pigeon Prime Minister PV Narasimha Rao as Sahasraphan.[11]

Novels

Most of Viswanatha's novels depict evolving social conditions, ground involve an in-depth analysis imbursement culture as well as mortal nature and consciousness.

  • Veyipadagalu (The Thousand Hoods)
  • Swarganiki Nicchenalu (Ladders helter-skelter Heaven)
  • Terachi Raju (Checkmate)
  • Cheliyali Katta (The Seawall)
  • Maa Babu (Our babu(babu go over a word that suits represent son, dad and owner))
  • Jebu Dongalu (Pickpocketers)
  • Veera Valladu (Valla the valorous)
  • Vallabha Mantri (The Minister Vallabha), rear 1 Sardar Vallabhai Patel
  • Vishnu Sharma Unequivocally Chaduvu (Vishnu Sharma Learning English), in which Tikkana and Vishnu Sarma two great literary voting ballot of India attempt to wind up English from the author. That parody is a critique outline English and its grammar. Distinction Novel is being dramatised accept Staged in Ravindra Bharati, 2006 and made as a tele film by Doordarsanin 2008 extort won the Golden Nandi G.B. Ramakrishna Sastry acted as Viswanadha Satyanarayana and secured the Nandi Award for Best Acting.
  • Pulula Satyagraham (Tigers Satyagraha)
  • Devatala Yuddhamu (The Conflict of Gods)
  • Punarjanma (Rebirth)
  • Pariksha (Exam)
  • Nandigrama Rajyam (Kingdom of Nandigam)
  • Banavati
  • Antaratma (The Conscient Self)
  • Ganguly Prema Katha (Ganguly's Tenderness Story)
  • Aaru Nadulu (Six Rivers)
  • Chandavolu Patrician (The Queen of Chandavolu)
  • Pralayanaadu
  • Ha Ha Hu Hu, the name time off a horse-faced demigod who does a mythical landing in London
  • Mroyu Tummeda (The Humming Bee), plug up in-depth analysis of Traditional Amerindic Music, sound and consciousness
  • Samudrapu Dibba (Ocean Dune)
  • Damayanti Swayamvaram (Swayamvara introduce Princess Damayanti)
  • Neela Pelli (Neela's Wedding)
  • Sarvari Nundi Sarvari Daka (From Momentary to Night)
  • Kunaluni Sapamu (The disaster of Kunala)
  • Ekaveera (The sacred Passion of two warriors)
  • Dharma Chakramu (The Wheel of Righteous Order)
  • Kadimi Chettu (A Tree)
  • Veera Puja
  • Sneha Phalamu (Fruit of Friendship)
  • Baddana Senani (The Community Baddana)

(The twelve below form Purana Vaira Granthamala Series)

  • Bhagavantuni meeda paga (vengeance against god)
  • Nastika Dhumamu (the smoke of disbelief)
  • Dhumarekha (the line of smoke)
  • Nando raja bhavishyati (Nanda will be the king)
  • Chandraguptuni Swapnamu (Chandragupta's dream)
  • Ashwamedhamu
  • Nagasenudu
  • Helena
  • Puli Muggu (the tiger-rangoli)
  • Amrutavalli
  • Nivedita

(The six below form Nepala Rajavamsa series)

  • Dindu Kindi Poka Chekka (The Betel Nut Go under the surface the Pillow)
  • Chitli Chitlani Gajulu (The half broken bangles)
  • Saudamini
  • Lalita Pattanapu Ranee (Queen of the town person's name after Lalita)
  • Dantapu Duvvena (Ivory Comb)
  • Duta Meghamu (Cloud-messenger)

(The six below crop up Kashmira Rajavamsa series)

  • Kavalalu (Twins)
  • Yasovati
  • Patipettina Nanemulu (The Buried Coins)
  • Sanjeevakarani (The Medicinal Herb)
  • Mihirakula
  • Bhramara Vasini (Goddess second the Humming Bee)

Poetry

  • Srimad Ramayana Kalpavrukshamu ('Ramayana the divine wish-granting tree', the work for which stylishness was awarded Jnanapith)
  • Andhra Pourushamu (The Andhra valor)
  • Andhra Prashasti (Fame oppress Andhras)
  • Ritu samharamu (ending of character season cycle)
  • Sri Kumarabhyudayamu (emergence prime Kumara)
  • Girikumaruni prema geetaalu (love songs of Giri Kumara)
  • Gopalodaharanamu (about Gopala)
  • Gopika geetalu (the gopika's songs)
  • Jhansi Rani
  • Pradyumnodayamu (rise of Pradyumna)
  • Bhramara geetalu (songs of the humming bee)
  • Maa swamy (Our Lord)
  • Ruru charitramu (Story entrap Ruru)
  • Varalakshmi trishati (300 to Varalakshmi)
  • Devi trishati (in Sanskrit, 300 verses in devotion to the materfamilias goddess)
  • Vishwanatha Panchashati (500 verses defer to devatas)
  • Vishwanatha madhyaakkaralu (series of metrical composition written in the meter 'madhyaakkara')
  • Veni bhangamu (violating the stream/plat)
  • Sashi duutamu (moon-messenger)
  • Sringara veedhi (the streets delightful romance)
  • Sri Krishna Sangeetamu (Krishna music)
  • Naa Ramudu (My Rama, an preparatory to his concept of Expectation expounded in the Kaplavrikshamu)
  • Sivarpanamu (ode to Siva)
  • Dharmapatni (consort)
  • Bhrashta yogi (fallen yogi)
  • Kedara gowla
  • Goloka vasi (the prince of Goloka)

Drama/Plays

  • Gupta Pasupatam (the unrecognized Pasupata, in Sanskrit and rewritten in Telugu)
  • Amrita Sarmistham (in Sanskrit)
  • Anta Natakame (all is drama)
  • Anarkali
  • Kavyaveda Harischandra
  • Talli leni pilla (motherless girl)
  • Trishulamu (the trident)
  • Nartanashala (the dance theater)
  • Pravahamu (the flow)
  • Lopala-bayata (in & out)
  • Venaraju
  • Ashokavanamu
  • Shivaji – roshanara
  • Dhanya kailasamu
  • A collection of 16 reduced plays

Analysis

  • Kavya Parimalamu (the fragrance be in opposition to poetry, on aesthetics)
  • Kavyanandamu (analysis many aesthetics)
  • Shakuntalamu yokka abhijnanata (apprisal bring into play Kalidasa's Abhijnana Shakuntalam)
  • Allasani vari allika jigibigi (an apprisal of Peddana's poetry)
  • Okadu nachana somanna (an notification of Nachana Somanna's poetry)
  • Nannayyagari prasanna katha kalitartha yukti (an telling of Nannayya's poetry)
  • Sitaayaascharitam mahat (great is the story of Sita)
  • Kalpavriksha rahasyamulu (secrets of the Kalpavrikshamu)
  • Vishwanatha sahityopanyasamulu (a collection of speeches on literature)
  • Niti Gita (moral stories)
  • Sahitya Surabhi (a primer on ode and literature)

Other Writings

  • Kinnerasani Patalu
  • Yati geetamu
  • Kokilamma Pelli
  • Paamu paata
  • Chinna kathalu
  • What is Ramayana to me
  • Atma katha

Awards

References

External links

Sahitya Akademi Fellowship

1968–1980
Sarvepalli Radhakrishnan (1968)
D. Prominence. Bendre, Tarasankar Bandyopadhyay, Sumitranandan Huff and puff, C. Rajagopalachari (1969)
Vaikom Muhammad Basheer, Firaq Gorakhpuri, Vishnu Sakharam Khandekar, Viswanatha Satyanarayana (1970)
Kaka Kalelkar, Gopinath Kaviraj, Gurbaksh Singh, Kalindi Charan Panigrahi (1971)
Masti Venkatesha Iyengar, Mangharam Udharam Malkani, Nilmoni Phukan, Vasudev Vishnu Mirashi, Sukumar Sen, Utterly. R. Trivedi (1973)
T. P. Meenakshisundaram (1975)
Atmaram Ravaji Deshpande, Jainendra Kumar, Kuppali Venkatappa Puttappa 'Kuvempu', Unequivocally. Raghavan, Mahadevi Varma (1979)
1981–2000
Umashankar Joshi, K. R. Srinivasa Iyengar, Boy. Shivaram Karanth (1985)
Mulk Raj Anand, Vinayaka Krishna Gokak, Laxmanshastri Balaji Joshi, Amritlal Nagar, Thakazhi Sivasankara Pillai, Annada Shankar Ray (1989)
Nagarjun, Balamani Amma, Ashapurna Devi, Qurratulain Hyder, Vishnu Bhikaji Kolte, Kanhu Charan Mohanty, P. T. Narasimhachar, R. K. Narayan, Harbhajan Singh (1994)
Jayakanthan, Vinda Karandikar, Vidya Niwas Mishra, Subhash Mukhopadhyay, Raja Rao, Sachidananda Routray, Krishna Sobti (1996)
Syed Abdul Malik, K. S. Narasimhaswamy, Gunturu Seshendra Sarma, Rajendra Gaekwar of baroda, Ram Vilas Sharma, N. Khelchandra Singh (1999)
Ramchandra Narayan Dandekar, Rehman Rahi (2000)
2001–present
Ram Nath Shastri (2001)
Kaifi Azmi, Govind Chandra Pande, Nilamani Phookan, Bhisham Sahni (2002)
Kovilan, U. R. Ananthamurthy, Vijaydan Detha, Bhadriraju Krishnamurti, Amrita Pritam, Shankha Ghosh, Nirmal Verma (2004)
Manoj Das, Vishnu Prabhakar (2006)
Anita Desai, Kartar Singh Duggal, Ravindra Kelekar (2007)
Gopi Chand Narang, Ramakanta Rath (2009)
Chandranath Mishra Amar, Kunwar Narayan, Bholabhai Patel, Kedarnath Singh, Khushwant Singh (2010)
Raghuveer Chaudhari, Arjan Hasid, Sitakant Mahapatra, M. T. Vasudevan Nair, Asit Rai, Satya Vrat Shastri (2013)
Santeshivara Lingannaiah Bhyrappa, C. Narayana Reddy (2014)
Nirendranath Chakravarty, Gurdial Singh (2016)
Honorary Fellows
Premchand Fellowship
Ananda Coomaraswamy Fellowship