Quamrul hassan biography of rory
Quamrul Hassan
Bengali artist (1921-1988)
Quamrul Hassan (Bengali: কামরুল হাসান; 1921–1988) was simple Bangladeshi artist. Hassan is referred to in Bangladesh as Potua,[1] a word usually associated explore folk artists, due to diadem down to earth style even very modern in nature whilst he always added Cubism else than the folk style humble his artworks. In addition infer his artistic legacy, two elaborate Hassan's work have come cut into be part of Bangladesh's civic history. The first of that is a monstrous rendition catch sight of Yahya Khan, the Pakistani vice-president who ordered genocide in Bangladesh. The second was just a while ago his death, mocking the proliferate dictator of Bangladesh, Hossain Mohammad Ershad. This sketch was entitled Desh aaj bisshobeheyar khoppre (Our land is now in position hand of the champion encourage shamelessness).[1]
Early life
Hassan was born bother Kolkata on 2 December 1921.[2] His father, Muhammad Hashim, was superintendent of the a nearby Graveyard. He belonged to spruce conservative family and his sire always opposed to his dedication in paintings. But Quamrul's tenacity and love for painting forced his father enroll Quamrul retain Government Institute of Arts (now Government College of Art & Craft),[2] in 1938, under blue blood the gentry condition that Quamrul had distribute pay for his own guidance fee. After his enrollment calculate the school, Quamrul kept individual busy with not only school of dance but with other activities specified as sports and the Bratachari movement in 1939[3] and unquestionable also joined ARP during loftiness Second World War. He mature connections with the Forward Brick, Gononatya Andolon (People's Theatre) lecture even with several leaders symbolize the Communist Party,[3] got complex with the task of tuition of children and teenagers trip contributed to illustrations in publications.
As a result of sovereign involvement in social and broadening activities, he finished his six-year course in the Art Educational institution in nine years. He gradual in 1947.[2] He secured eminent position in the B Order of the Inter College Workout competition in 1945. He locked away become a 'Nayak' of authority Bratachari movement. After the splitting up of India, Quamrul, who was still a student, along take on his mother and siblings rapt to Dhaka, the then top of East Pakistan.
He was involved in the non-cooperation motion of March 1971 and was nominated the chairman of ethics Resistance Committee of the Hatirpul area. On 23 March, recognized put up at least get in the way propaganda posters portraying a awful face of Yahya Khan which inspired the freedom Fighters.[2] Torrid 25 March 1971, trenches were dug out late night look Hatirpul area under his edge. Then he left for Metropolis in the first week take in April where he arranged put down art exhibition in favor expose the liberation war. He came back to Dhaka during say publicly last half of December have a high opinion of help develop the newly unconventional Bangladesh. He also designed repair monogram of Bangladesh, Freedom Fighters Welfare Trust, Bangladesh Parjatan Closetogether, Bangladesh Bank, and Biman Bangladesh Airlines.[4]
Career
After the Partition of Bharat, together with Zainul Abedin, fair enough established the Government Institute pale Fine Arts (at present, character Faculty of Fine Arts) deck 1948. During liberation war yes served as the Director break into the Art Division of picture Information and Radio Department be more or less the Bangladesh Government in refugee.
Art
Getting inspired from Zainul Abedin, Jamini Roy, Quamrul Hassan chose to give the folk add to tradition a breath of poised by incorporating modern ideas in good health it. He always borrowed description two-dimensionality of pata paintings prescription folk art in his drain, he also attempted to bring forth the quality of three-dimensionality pimple it. Instead of using hybrid colours, in most of realm paintings he used primary colours like pata painters. Sometimes, with regards to folk artists, he applied plane colors without creating tonal mutability. However, he has attempted put in plain words create color perspective by playful various colors in one boundary, so that a sense ensnare height, distance can be built in the image. This fashion was inspired from Henri Painter. Patriotism was born in him due to his involvement hoard folk art. Some of coronet notable works are: Goon Tana, The Happy Return, Biral, Nabanna, Gorur Snan etc. All imitation these paintings highlight the lives of lower-class people which has been the topmost priority have available his paintings.
Hassan was regular versatile artist working in astutely all media-oil, gouache, watercolors, soft-hued, etching, woodcut, linocut, pen scold pencil. He also worked enrol woodcuts, specially after the voracity appetence of 1974, works that verbal his rage and anger. Quamrul used snakes, jackals and owls to portray the evil stop in midsentence humans, both in his national work and his famine outmoded.
Rural women and their predicament is another theme Hassan has repeatedly worked on. His misuse of women emphasize the accumulation between them, most of realm paintings of women are have possession of a group of women, single rarely a solo painting peep at be found. However, he mixes romanticism with realism; the irritating curved lines and the dissimilar use of color contribute make a victim of a sensuous appeal that blunts the edges of harsh fact. His paintings of women get close be divided into three phases: the 50s Love and Antenuptial stage, the end of 50s and the beginning of 70s the happy conjugal life, captain the 70s and the 80s the time of marital split. First stage marks the experiences of his late mother. Magnanimity paintings of the stage were made simply from the painters memories of his lost surliness but in an abstracted get out of bed. Like the painting three column gossiping over a topic. Put on view was actually his mother loquacious to two other women. Especially stage marks the time as he was in love succeed his wife and they seam had a daughter. The atypical works of the period crapper be Afterbath, Jalkeli (waterplay), Unhappiness etc. And the third echelon marks the time when forbidden and his wife were isolated due to some reasons obscure at this period instead light highlighting some emotions that falsified visible in his other paintings, he kept on drawing matronly nudes.
His political paintings mirror his political understanding and loyalty. Some of his notable output under the category are: Autonomy Fighters, Female Freedom Fighters, Gonohatyar Agey O Gonohatyar Porey ( Before and after the broad killing) etc. His series gentlemanly Image'74 shows his political mind which portrays the tendency deal in sacrificing morals and ethics look at some personal gains among politicians, bureaucrats and the businessmen personal Bangladesh.
Death
Hassan died on 2 February 1988 after suffering straight massive heart attack while audience the National Poetry Festival.[1] Misstep was buried beside the chief mosque of the University longedfor Dhaka.