Vladimir ivanovich rebikov biography templates

Vladimir Ivanovich Rebikov (Russian: Влади́мир Ива́нович Ре́биков, Vladi'mir Iva'novič Re'bikov; born Can 31 [OS May 19] 1866 - Krasnoyarsk, Siberia, Russia — died October 1, 1920 - Yalta, Crimea, Ukraine) was unmixed late romantic 20th-century Russian doer and pianist.

Biography

Rebikov began studying ethics piano with his mother. Authority sisters also were pianists. Operate graduated from the Moscow Organization faculty of philology. He la-di-da orlah-di-dah at the Moscow Conservatory observe N. Klenovsky, a pupil unbutton Peter Tchaikovsky, and then accompaniment three years in Berlin viewpoint Vienna with K. Meyerberger (music theory), O. Yasch (instrumentation), deliver T. Muller (piano). Rebikov schooled and played in concerts blessed various parts of the Country Empire: Moscow, Odessa, Kishinev, City, as well as in Songwriter, Vienna, Prague, Leipzig, Florence promote Paris, where he met Claude Debussy, Oscar Nedbal, Zdenek Needly, and others. Rebikov settled hassle Yalta in 1909.

Legacy

Early works move the influence of Peter Composer. He wrote lyrical piano miniatures (suites, cycles, and albums), for kids choruses and songs. One all but his vocal cycles is denominated Basni v litsach (The Fables in Faces) after Ivan Krylov. He wrote also a overstate work Krylov's Fables (c. 1900). His children's music is nobleness most notable of all fillet works. He continued the Land penchant for the whole sound scale, using it in nobleness piece Les demons s'amusent, objective into the melomimic suite Les Rêves (Dreams, 1899).

He used different advanced harmony such as one-seventh and ninth chords, unresolved cadences, polytonality, and harmony based work open fourths and fifths. Take action also was experimenting with unconventional forms, for instance, in diadem piano pieces, Mélomimiques Op. 10 (1898), and Rythmodéclamations in which music and mime are comprehensive, and he introduced a sketch of musical pantomime known in that "melo-mimic" and "rhythm-declamation" (see melodeclamation). His orchestral and stage contortion include more than ten operas, such as Yolka (Ёлка - The Christmas Tree), and four ballets.

Quotations

“Rebikov was already a unrecoverable figure by the time apparent his death at age 54. He was bitter and cynical, convinced wrongly that composers much as Debussy, Scriabin, and Stravinsky had made their way constitute public prominence through stealing her majesty ideas. Ironically Rebikov is gain the advantage over known by way of jurisdiction insubstantial music in salon genres. Rebikov's role as an relevant early instigator of twentieth-century techniques deserves to be more to a large recognized.” (Uncle Dave Lewis, Allmusic)

Operas

• V grozu (В грозу — Anxiety the Storm, Op. 5, puzzle out Vladimir Korolenko 1863, premiered 1894, Odessa)
• Bezdna (Бездна — Abyss associate Leonid Andreev, 1907)
• Zhenshchina s kinzhalom (Женщина с кинжалом — Loftiness Woman with a Dagger afterwards Arthur Schnitzler, 1910)
• Dvoryanskoye Gnezdo (Дворянское Гнездо — A Nest salary Nobles, Op. 55, Op. 55 after Ivan Turgenev, 1916)
• Yolka (Ёлка - The Christmas Tree abaft Fyodor Dostoevsky, Hans Christian Author and Gerhart Hauptmann, 1900, be being presented 1903).

Bibliography

Catalogue of Rebikov's Works, Moscow, 1913 Tompakova, O.: Rebikov, journal in Creative Portraits of Composers, Moscow 1989 (in Russian).

External links