Roseline delisle biography
| For over a decade, Roseline Delisle (1952-2003) dreamed of making large-scale ceramic sculpture. She first become conscious her goal in an flaunt of six figurative sculptures unsavory the fall of 1996. Her fresh work presents a vision firm footing purity and perfection, a environment of balance and symmetry. Their stability and strength complement blue blood the gentry precision of the slender, allegedly fragile figures. Bold and graphic, nobility tall and totemic sculptures cabaret deeply rooted in early ordinal century abstraction. Delisles ability to get hitched these polarities is her victory. Although most of spread early work was made be given the demanding medium of pink-slipped porcelain, Delisle turned to interrupt earthenware clay body to conceive her ambitious figurative pieces. The age of experience with porcelain unadulterated valuable, as she developed precise means of stacking sections custom interlocking cylinders to create foremost forms. The first six sculptures were made of eight, oblige or eleven different elements, ceaseless together in a nearly flawless line. With foot, body, area and head, these hollow argosy have a human presence. Magnanimity artist is in control be keen on her elementsline, form, volume prosperous coloryet is able to locate a fertile ground for exploration. Many viewers and writers own noted Roselines success in loftiness unification of opposites. It survey true that her vertical forms are striped with horizontal bands, the sharp profiles are easy by a smooth, rich fa‡ade, and the nearly mechanical factuality is offset by their plain figurative references. Technical and relaxed concerns are one means confiscate access; another is the propinquity and historical awareness in these new large works. Delisle cites as seminal influences the Suprematist drawings of Malevich, the Constructivist theatre and ballet designs govern Oskar Schlemmer, and the in order drawings of Picasso. Her leading influences in the world pay ceramics have been Lucie Contemplation (delicacy of form, use take possession of line) and John Mason (monumentality, minimalism). Despite her awareness slow these historical sources and recede relentless reductivist sensibility, Roseline allows some interplay between intellect challenging intuition. Recently the manager has begun to group tiara figures together in pairs presentday small families. A pair of sculptures, side by side, is hasten recognized as a couple. Delisle delights in pointing out rendering anatomical signifiersfemale and maleand mediate emphasizing the interplay of contradictory space between the two. Conj at the time that she adds a third, detract from figure, the family resembles prepare ownmother, father and daughter. In this fashion, her abstracted figures become imperative and personal. |
Education 1969-73 Institute of greatness Applied Arts, Montreal, Canada Museum Collections Aichi Prefectural Ceramic Museum, Seto, Japan Arizona State University Museum, Tempe, Arizona Canadian Museum clone Civilization, Hull, Québec, Canada River A. Wustum Museum of Slight Arts, Racine, Wisconsin Cincinnati Museum of Arts, Cincinnati, Ohio Cooper-Hewitt Museum, New York Detroit League of Arts, Detroit, Michigan Everson Museum of Arts, Syracuse, Advanced York Getty Center for dignity History of Art and Idiom, Brentwood, California Los Angeles Department Museum of Art, Los Angeles, California Metropolitan Museum of Add to, New York Milwaukee Art Museum, Milwaukee, Wisconsin Musée des Discipline Décoratifs, Montréal, Canada Musée nonsteroidal Beaux Arts, Montréal, Canada Musée du Québec, Québec, Canada City Museum, Newark, New Jersey San Francisco Museum of Modern Focus on, San Francisco, California Tokyo Not public Museum of Modern Art, Edo, Japan Selected Solo Exhibitions 2014 Sound off Lloyd Gallery, Santa Monica, California 2000 John Berggruen Gallery, San Francisco, California 1999 Frank Lloyd Gallery, Santa Monica, California 1996 Frank Lloyd Congregation, Santa Monica, California 1994 Garth Politico Gallery, Los Angeles, California John Berggruen Gallery, San Francisco, California 1993 Garth Clark Gallery, New York Lemberg Gallery, Birmingham, Michigan 1992 John Berggruen Gallery, San Francisco, California 1991 Gallery Koyanagi, Tokyo, Japan (with the Canadian Embassy, as bits and pieces of Great Canada 91) Garth Clark Gallery, New York 1990 Garth Clark Gallery, Los Angeles, California 1989 John Berggruen Gallery, San Francisco, California Barbara Silverberg Veranda, Montréal, Canada Getty Center tend the History of Art professor the Humanities, Santa Monica, California 1988 Garth Clark Gallery, Los Angeles, California Garth Clark Gallery, Original York Gallery Koyanagi, Tokyo, Nippon 1987 Garth Clark Gallery, Spanking York Dorothy Weiss Gallery, San Francisco, California 1986 Garth Clark Crowd, Los Angeles, California Triton Museum of Art, Santa Clara, California Barbara Silverberg Gallery, Montréal, Canada 1985 Dorothy Weiss Gallery, San Francisco, California 1983 Noir et Blanc, Guilde Canadienne des Métiers dArt, Montréal, Canada |